| Robert James Berry
NEW ZEALAND
rob_james_berry@yahoo.co.nz
Pavane
No one strolls this solemn light-leeched coast
where low tide leaves
phlegm-thick mud
green-smelling mussels,
the sea’s sour food.
Out beyond dunes that move,
the harbourmouth’s a
remote
line of smoke
that waders stalk. Wind ruffles headwaters
which are winter-slate
bled of colour.
The surf’s gruff
as it breaks at this wracked coast.
Strong Vintage
In my vineyard
fat cabernet grapes catch sun.
During winter the vines,
knotted as broken history,
spread in cracked ranks.
For the life of me
akin to time’s dead stumps.
But slowly spidery blooms cracked
from the flint-hard root
and burst red,
like blood handwriting.
The haw frost wrote over
a few of the new grafts
but this summer, my
signature is bold
over my land.
The King’s Wood
I stride stiles that have
melted in decay,
into woods where mother gathered mushrooms.
Storms slew the tallest trees she’d have known.
First children gamed over the fallen,
before woodlice, slimed things
were at more serious play.
It seems less far
to the heart of the wood
where kings rode
centuries ago.
Paths have lost definition.
Leaf-mould, gumboot deep mud,
the cheesy composting smell of wood
sovereign now.
Where last war’s bombshelters are
ferned over – always illicit places
to smoke out bad thoughts –
I’ll sit. With history.
With my old times.
The Pier at East Cape
At pier’s end
assorted rubble grows.
Ruptured lobster pots, tents of
black tarpaulin, a
sun-bled flounder that a gull’s
jabbed at.
Where dirty tides slap
the pier’s decaying stilts I sit.
This is a place to think
watch a buoy roil on the current,
the sun smoke like a cigarette ember
and stub out.
The dark’s sudden, sapphire.
Two trawlers lit like candelabra
move into the reach.
Hear the growling swell.
The creaking pier
lost in black behind me.
Flood
The breakwater is gap-toothed
where tides have pulled immense defences of rock
out to sea.
The fishing fleet’s been immersed
in silt. Hulls wallow, upended
and a lightship beats its silver symbol
away from the sea roads
up river creek churning with jetsam of homes
baptised by mud.
Bizarre. That furniture stands in Ocean St.
Faces of townsfolk hang heavy as the sandbags
that could not hold.
When some children – that don’t know – spill out of
a makeshift raft
in a tide of laughter
it hurts. We shall mop up the havoc.
Lay out the drowned.
Kingdoms
A rat slid over my foot
from out of an old drain
cracked and spilling rusty sludge
over the beach. The world was
empty in fanatic heat. Only a kid
cartwheeled
in a tributary of filth.
Under the esplanade
I dug in my boot
and scratched a line
in the hard sand
dividing my kingdom. Gazing,
as a far flume of ferry smoke
evolved into haze.
Seafruits
Wet sand slurries over
wild garlic and pale dune
purples. The sand’s
shifting territory has sunk
barbed wire from old wars;
caught stray solitaries and
hauled them out with the tides.
Here, no memorial takes hold.
Water inundates. Sinkholes open.
Up on the rocky point graves slide. Crosses
are dragged into the ocean’s groves.
At the tide’s edge
Watch,
A starfish,
pinned dead,
apricot-limbed
beaded by sand
Being engulfed by the surf.
Beach Ornaments
Summer. Like the smell of peaches.
The sea cuts driftwood sculptures, pegs
skeins of weed to high water mark.
In a rockpool a gleaming coral bead
circles a complicated dance.
Someone’s lost talisman that crabs inspect.
Strange inedible bauble
tides shall suck out to sea.
Later, the beach exhibits a new trophy.
Wood washed up from another continent.
Currents have carved a
retching, seasick face.
A drowned seamonster. To ornament
the washed sand.
© All Copyright, Robert James
Berry.
All Rights Reserved. Printed By
Permission.
|